SEMIOLOGY AND SOCIOLOGY OF FASHION
Année du cours : 1 année(s)
Etablissement : IÉSEG School of Management
Langue : English
Formation(s) dans laquelle/lesquelles le cours apparait :
Période : S1
No prerequisite is needed
At the end of the course, the student should be able to :
– have a knowledge and understanding of fashion as a social and cultural phenomenon
– critically evaluate the dynamic of the fashion process through different sociological theories
– have an understanding of the evolution of fashion meanings and fashion images from the beginnings of fashion to nowadays.
– have a critical understanding of the symbolic values of fashion and fashion brands.
– historically and semiotically contextualize the different interactions between fashion and art and the the different visions of the gender issue in the fashion history
– Assess the values of the organization in which they work
– Convey powerful messages using contemporary presentation techniques
– Effectively apply in-depth specialized knowledge to take advantage of contemporary opportunities in their professional field
Day 1
-Introduction – Content and aim
Sociology of Fashion: fashion as social phenomenon. Modernity
Visual expression of social meanings. Reading fashion as social and cultural sign = semiotic approach
1900 The Belle Epoque: Differentiation and imitation.
The Roaring Twenties: Fashion and Self-Expression (Gabrielle Chanel). The gender revolution: La garçonne. Translation in contemporary fashion.
Day 2
Fashion and the gender issue
The gender construction: Conformity and Hetero-normativity during the 50s. Christian Dior and the New look
Fashion and Cinema. Analysing the notion of the Femme Fatale and male gaze within Hollywoodian classical movies. From cinema to fashion nowadays
Day 3
From class differentiation to collective selection. Fashion and the 60s and the 70s: Blumer and the notion of Zeitgeist. Yves Saint-Laurent: fashion and the street. Post-Modernity: the new langage of fashion, art, gender. Translation into contemporary fashion
Day 4
Fashion Art, Sustanibility,Gender fluid. Ethical and Aesthetical issues in contemporary fashion. From the fast fashion and the trickle across model to the Slow Fashion as the emotional values of clothing.
From the Japoneese Avant-Garde to the new post-subcultures.
Day 5 Final assessment and group presentations starting at 10 am.